Showing posts with label colonial. Show all posts
Showing posts with label colonial. Show all posts

25 June, 2014

Pretty Olinda

Olinda is a small picturesque town located just north of Recife.  Literally translated, "o linda" means "the pretty one."  Early Portuguese settlers built the city in the 1530's on a hill as a means of defense against neighboring Dutch settlements, who at one point burned it to the ground.

The central area is currently a UNESCO World Heritage Site and the best way to visit is simply to wander up and down the labyrinth of narrow cobblestone streets.  The day we went was a bit wet and rainy but that didn't dampen (pun intended) the beauty and charm several hundred years of history has made.

Igreja do Carmo, built in 1580, is the first church in the Americas of the
Roman Catholic order of Carmelites.


Walking out front of the Convento de São Francisco, the oldest Franciscan
convent in Brazil.

Alissa posing with a "costume" used in a past Carnaval.
In Olinda the parade is free and takes place in the street
with no bleachers or set spectator areas. 
Oh, what these streets have seen over the years...

24 June, 2014

City of Reefs

The city of Recife (pronounced "heh-see-fee") is located in the most eastern Brazilian state of Pernambuco, and gets its name from the plentitude of reefs off the coast.  This both makes the sea here more calm, but also attracts a lot of sharks.  Originally a Portuguese settlement in the 1530's, it was captured by the Dutch and grew under their control during the mid-1600's, at one point serving as the capital of Dutch Brazil. Today, Recife is the 5th largest Brazilian city with just under 4 million inhabitants.

While the majority of the city in not a tourist destination, it is a good jumping off point to visit nearby Olinda, hang out on the beach of the Boa Viagem neighborhood, and take a stroll through Recife Antigo (Old Recife) to admire the architecture and imagine traveling back in time.

A colorfully decorated street in Old Recife.

Brazilian fans on their way to the FIFA Fan Fest area, located (poorly) on one
of the narrow streets along the water in Old Recife.

Many buildings in Recife Antigo date back to the 1600's.

Fans watching the Brazil vs Chile match overflow from a bar into the street.

Monument by artist Francisco Brennand in Recife's
Parque das Esculturas. 

Praia Boa Viagem on a nearly cloudless afternoon.

What could make a beach day better?  Grilled cheese on a stick, of course!

Photo of the Francisco Brennand monument taken by Dan Monfre.

17 January, 2014

Don't Ever Change


The tiny colonial seaside port town of Paraty (say: pah-rah-CHEE) has seen many incarnations since it was first settled in the 1500's.  Since then, this modest town has played part in the import of miners and export of gold from the adjacent state of Minas Gerais and then for coffee after that.  Each industry eventually ended their mutual relationship with the port after the development of roads from other coastal locales such as Rio de Janeiro or São Paulo, which proved to be time-saving in terms of travel.

Consisting mostly of one or two-story white-washed colonial-era buildings with brightly colored doors and windows, Paraty is an easy place to get lost in.  Not physically, since it spans only a handful of blocks in any given direction, but mentally, as any visitor is easily transported to a simpler time.  It is not difficult to imagine horses clomping down the cobble-stoned streets, now off-limits to cars.  (And these cobble-stones are not small; it behooves pedestrians to keep one eye on their next step at all times.)

For a small town, it is strange to find so many churches scattered throughout its historic center.  Though small, and all Catholic, it turns out each was intended for different congregants: one for wealthy whites (built in 1800), one for slaves (1725), and another (1722) for mulattos - children of mixed race, but not necessarily slaves.

Before numeric addresses, most postage was directed to a street name and
door color, making it preferable to not have repeated colors on the same block.

The bay of Paraty is dotted with many small islands leading out to the open Atlantic Ocean.  We boarded a schooner for an afternoon of island hopping and enjoying the unique and majestic views of this region's coastline, known as the Mata Atlantica, a geographic and ecologic region with characteristics unique only to here (which I've had the pleasure to visit twice before whilst in Ubatuba and Ilha Grande).

Afternoon on the schooner Moana, touring the Bay of Paraty.

The beaches in Paraty are nothing to write home about, however, those of the islands in the bay, as well as several a short drive to the south are among the best in Brazil.  We ventured to the community of Trinidade, an old fishing village now filled with pousadas, restaurants, and hostels, to settle on Praia Meio for an afternoon.

Excuse the duck-face and douche-y peace sign - too much sun and
beautiful scenery make me a wannabe a surfer-bro.

It was a great decision that Brazil made Paraty a National Historic Site back in the 1960's, thus preserving its character for that niche group of tourists who want some sun and sand with a lot of timeless charm.


01 December, 2013

Mining the Past

You know you're in Ouro Preto if you can close your eyes, throw a stone, and odds are you will hit a church. For such a small town, even at its peak population of 110,000 in the mid-1700's, there are a ridiculous number of enormous churches.  Also museums.  And rocks.

Igreja São Francisco de Paula, completed in 1898 after 94 years.

The town of Ouro Preto has an important place in Brazilian history.  This tiny town in the state of Minas Gerais a couple of hours east of Belo Horizonte and several hours due north of Rio de Janeiro was founded back in 1711 after gold was discovered by bandeirantes (outlaws roaming the countryside looking for Indians to enslave and resources to exploit).  Due to the gold rush and resulting infrastructure, Ouro Preto was the place to be.  By the mid-1700's it was named the capital of the state and had a population more than twice that of New York City at that same time and over six times that of Rio de Janeiro, though most of this number was comprised of slaves.  Today it is under 70,000.

In 1789, several revolutionaries, including Joaquim José da Silva Xavier - better known as "Tiradentes" - began an uprising against the ruling Portuguese powers.  This particular effort failed, resulting in Tiradentes being jailed, then cut into pieces, his remains scattered along the roadway connecting Rio de Janeiro to Ouro Preto and his head impaled on a pole in the center of town.

In an attempt to preserve the history of the architecture of the town, in the late 1800's the capital was moved to the newly created Belo Horizonte.  In 1980 the entire city was named a UNESCO World Heritage Site, the first in Brazil.  The preservation was successful; walking the hilly cobble-stoned streets is like having taken a time machine to colonial European-style villa, but with palm trees, parrots, and monkeys.

In Ouro Preto you're either going uphill or downhill.


Aleijadinho's work:
Igreja São Francisco de Assis
Of all the churches, the Igreja São Francisco de Assis (1776) is allegedly one of the most important in terms of Brazilian colonial art.  The soapstone façade was carved by the son of a Portuguese architect and a black slave, known today as Aleijadinho, or "Little Cripple," due to a disease (leprosy?) that cost him his fingers, toes, and use of his lower legs.  This makes his carvings all the more impressive as they were created by  tying hammers and chisels to his limbs.  Ouro Preto is one of the best places to see some of his works.

This particular church displays two of Aleijadinho's signature styles.  The first is the double-barred cross seen at the top of the church.  The second is his portrayal of angels: always with wide open eyes and long wavy hair.



Close-up of one of Aleijadinho's typical angels.

While the mining industry in the area is still active - aluminum, iron, bauxite, manganese, topaz, and soapstone are all considered local resources - the main industry is tourism.  And Ouro Preto does tourism well.  Aside from the churches, there are several great museums, including the Museu de Ciência e Técnica da Escola de Minas where one can learn about and see a plethora of rocks, gems, and metals mined locally and abroad.  As fun as looking at rocks sounds, it's a really impressive museum.  Another place worth visiting is the Museu Casa dos Contos, a transformed mansion that served as both a jail and a treasury building.

Inside the Gem Room of the Museu de Ciência e Técnica da Escola de Minas
I got a mini-lesson in gemology from a local jeweler: on the right is the
unrefined topaz, and two examples of polished topaz. About $100USD each.

If I am ever in the region again, I will definitely make stop here.  There are couple museums I didn't get to, as well as a gold mine outside of town.  But there is also something to be said for just taking aimless strolls, tripping over uneven cobbled streets, getting lost in colonial back alleys...and time.

InstaOuroPreto?
Praça Tiradente from the window of the Museu de Ciência eTécnica
da Escola de Minas
Praça Tiradentes, again.
The monument in the center of the Plaza marks the spot
where Tiradente's head was displayed on a pole after the
failed revolutionary coup in the later 1700's.
Vem pra rua?
The "game room" of the restored mansion, now the
Museu Casa dos Contos.
Soapstone souvenirs galore!
Europe or Brazil? 
Another reason to come back to Ouro Preto.
(It's hard to find good beer in Brazil.)